2020: The Year that Wasn’t

Dear reader:

Writing is a tricky business. Everyone in the world will tell you that to be a ‘professional’ at writing, and you have to sit and write every day, even if you don’t feel like it. I get that. I do. I have a strong work ethic, generally speaking, and I appreciate the results that come from consistently doing things when you don’t feel like doing them.

However: there are only so many emotional kicks in the teeth a person can take before they say to themselves, “You know what? This is the universe telling me to sit back, relax, eat ice cream, and watch a year’s worth of Netflix in a month.”  If I have ever met a year that was like that, 2020 is undoubtedly it.

Every writer who gets emotionally stuck or whose creative well runs a little dry has tricks to get themselves back into a creative headspace. Mine comes primarily from travel. Whether that is a day trip out to the ocean or a month-long trip to a new country, a change in context has always been great for waking up my internal muse, changing my perspective, giving me fresh creative juice to work with. I’m also a huge people person, so I love to go people-watch in places I do not usually visit. I listen and watch and reorient myself with the commonalities and differences we humans share in our everyday lives.

Another thing I love to do is immerse myself in art. Museums and music are two things that will help me get back in touch with my own internal life, and I find a good three hours in a museum, especially one I have not visited before, can be truly invigorating. I find myself making up stories as I walk through the rooms, telling myself about this imaginary person or that fictional scenario until I am full to the brim with ideas. 

The third thing that works for me is a long drive to nowhere in particular, listening to music and staring out the window, watching the world go by. I like to brake for signs for historical markers, find parks I didn’t know existed and wander around. I’m a natural extrovert, and just the process of being in motion and interacting, even in small ways, with new people is stimulating and inspiring to me.

So let’s talk first about what I had planned for 2020:

  • A quick weekend trip to LA to visit the set of Gilmore Girls: I’m huge into my fandoms, and I like to travel for them. It’s just who I am. I like going to places with strangers who love the same thing I do. I love that we get to hang out and enjoy each other’s company and revel in our love for our interest without fear or judgment. I was thrilled I had this trip in January. It inspired what was the last committed bout of writing I did.

  • A visit to the Painted Hills of Oregon: This I also managed to do. It was my last successful outing anywhere and occurred right at the beginning of March before we understood how much social distancing and staying put could help protect ourselves and others from the pandemic. I got some good hiking in, took some beautiful pictures, and came back feeling very inspired. Unfortunately, I came back and went directly into my office closing, my husband’s office closing, our daily lives being upended, and the emotional and psychological wear and tear of a global pandemic shutting down life as I knew it.

  • A month-long trip to Tanzania/Zanzibar/Seychelles: I had planned this trip to the point that my time off was approved, my flight was booked, my shots were updated, and my bags were in the process of being packed when this was called off. The pandemic was having none of my plans to visit Africa. Everything got canceled at the last minute.

  • A trip to my nephew’s graduation and New Orleans: New Orleans is my favorite city in the world. Yes, I said world. I am one of those people for whom nothing will ever replace New Orleans. I feel in love on my first visit at seventeen, the city embedded itself in my heart, and it has never let go. COVID canceled this, too, along with the joy of watching my oldest nephew graduate from high school, which was something I had been looking forward to sharing with my brother and his family for years.

  • The 30th Anniversary Fan event for Twin Peaks in Memphis and a visit with my BFF Kate in Nashville: I am a huge Twin Peaks fan. I’ve loved and been obsessed with the show since I was twelve. At one point, I did the math and realized I had spent more than a full month of my life watching and rewatching the show. I had a Twin Peaks costume birthday party when I turned 30. The show was a big part of why I ended up moving to the Pacific Northwest when I left Texas. Despite my commitment to this imaginary world, I’ve never actually been to a fan event for it, and when I saw there was going to be a massive weekend for the 30th anniversary with many of the original series actors and actresses in attendance, I decided to take the trip of a lifetime and meet the people who brought some of my lifelong fictional friends to the screen. The event was initially slated for May, then postponed to October, and two weeks ago canceled permanently.

  • My trip to see my best friend Becca give birth to her first child: I was also slated to spend a week in the Palo Alto/Mountain View area north of San Francisco while I helped bring my good friend’s baby into the world. Again, COVID made it impossible to have guests in the hospital, and flying my way into the life of a newborn was a health risk I wasn’t willing to take. Trip canceled.

  • My annual hiking and fandom trip to Forks, Washington, for the Forever Twilight in Forks (FTF) festival: This trip has become a large part of my writing life. My first ever trip to Forks in 2009 is when I got the initial idea to write Spooked. I came home, sat down, and eight months later, had completed the very first draft of my first novel. I’d never dreamed I’d write a book, and then—because of this fantastic trip I’d taken on a lark and mostly to watch the surrealism of an entire small PNW town pretending vampires and werewolves were real—I had done it! Since 2009, I’ve only missed two FTF seasons. This year, COVID has canceled my third. It is a shame because the town is terrific, the atmosphere is perfect for inspiring the kind of creepy ghost stories I like to tell, and the natural beauty of the Olympic National Forest is worth the trip, with or without the hilarious cosplayers and vampire-themed events.

I am sure I seem like a class A whiner to you right now, dear reader. “Oh, boo hoo, fancy pants white lady can’t go on her trips! What a sadness.” But here’s the thing. Going places and doing lots of things is how I live my life. I don’t have children. My loved ones are scattered everywhere. The trip to Africa was going to be my first chance in over a year to visit with my friend Ashley, who was there working for the embassy. My nephew’s graduation is a big deal because his father didn’t finish high school. Seeing the birth of Becca and Steven’s son was the closest I might ever get to seeing a baby born, as I cannot have one of my own. All of my friends are more tied down than I am, and thanks to my job, I have a lot of travel flexibility. I try to take advantage of my job’s fringe benefits because, until five years ago, I’d never left the U.S.  These trips are meaningful to me because they are primarily centered around seeing the people and places I love and maintaining the rich relationships that make my life worthwhile. A good friend died a few weeks ago, and there won’t even be a memorial service I can attend. I cannot see his wife and tell her how much I loved her husband, what a friend and inspiration he was to me, or how much I will miss him all the remaining days of my life. 2020 knows how to pile it on, you know? There is seemingly no end to the ways this year can hurt you.

When all of my trips were canceled, my hopeful plans, good energy, and inspiration disappeared with it. But I tried, I really did, to find a way to make my life work anyway. In June and July, I looked toward the rest of the year and decided if I couldn’t travel as I usually do, I’d double down on spending time outdoors and focus on the wonders of my local environs. I booked a long weekend on the Southern Oregon coast, which I had never visited. I booked a week (this week, actually) long sojourn to Mount Hood to stay at a cabin in the woods and focus on my writing. In all these things, with COVID on my mind, I took extreme precautions. I shelled out for entire houses for myself alone with kitchens I could cook in. I preordered and picked up my groceries locally, so as not to spread potential disease in the new region I went to. I planned to stay away from others, entirely to myself, just a girl and her dog and a laptop. Long walks on the beach and among the pines for inspiration. No contact with other people.

But 2020 is nothing if not creative when it comes down to screwing up your plans. My weekend at the coast fell apart when, twenty-four hours in, the fridge in the house would not stay cold, and the lock on the door was damaged to the point that the door kept blowing open, leaving me in a place where my dog could take off at any minute while I slept. I gave up and came home, consoling myself that in about a month, I’d be in my woodland cabin, listening to Taylor Swift by a mountain stream and feeling the kind of melancholia that would surely help me refocus on my writing efforts.

I arrived at the cabin last Friday, full of hope and loaded with a week of groceries. I was staying through the long Labor Day weekend and until the following Saturday, giving me plenty of time to think, write, and commune with nature. The first two days were very productive. I reread and edited 30,000 words of a work in progress, and then sat down and outlined all the remaining chapters in that manuscript. I created a system of accountability for myself for the remainder of the year to keep my writing energy going even when I came home. I ate pumpkin spice things and drank tea and was having a wonderful time.

Then, yesterday at approximately 4:00 pm, the sky turned yellow. It began to rain ash. And my phone beeped an alert just as the power company cut the power to the entire area around me, covering three different towns. Due to a dry summer and high winds, the fire risk was high. Thanks to an aging power grid that could throw a dangerous spark at just the wrong time, the Powers-That-Be decided the best thing to do for community safety was to turn off the power grid indefinitely.

Let me say that again: the power was cut off…indefinitely.

When would it return? When the winds died down, and the risk was averted. When was that expected? A day. Maybe two. Maybe more. It’s a wait-and-see situation.

I tried, dear reader, to keep my chin up and stay committed to my task. But without power, my laptop has a limited lifespan. Write by hand, you say? Well, I’d love to, but the cabin was quite dark without power due to the tall shading pines surrounding, and the sky wasn’t all that bright given the ash so thick you could taste it. Read and do professional development? Again, I needed to be able to see to read even the stack of physical books I’d brought along. Work on my advertising efforts, update this blog, edit the latest episode of I Make Words (And So Can You!)? All of these things took electricity. Meanwhile, my food was melting in the freezer, my dog did not love the way all that ash made it harder for her to breathe, and going for a hike in terrible air quality in the middle of a potential forest fire did not seem like a wise course of action.

I stuck it out for 14 hours, hoping the risk would pass and that the power could be safely restored. I ate cereal for dinner, went to bed early, and hoped against hope for the best. But by 9:00 am this morning, I had to admit that power was still out, my food was on the edge of ruin, and no one could tell me when things might turn around for the better.

So I packed up my car again, hand washed all the dishes I’d used, and called to tell the vacation rental company that I was vacating over four days early. Then I drove the hour and a half home and unloaded my car, just grateful that there is power at my house, and my dog and I were safe and had somewhere to go.

So, where am I now? I’m in the offices of my small publishing company, writing you this blog post. Then I am going to open my current work in progress that I am on a deadline for, and I am going to start working at it, though my inspiration well is dry, and all my plans have been for not. 2020 is not interested in what I want. There will be no visits to friends and family, no walks through the cemeteries of the City that Care Forgot, no museums filled with works of beauty that leave me teary with awe. There will be no silly dancing or costumed events with other devoted fans of the fictional worlds I love. There will be no cross-continental adventures, no globe-trotting, no access to new cultures that I don’t yet have the words or experience to describe. There won’t even be a long weekend in Forks, my annual pilgrimage to the place where my imagination works best.

And apparently, there won’t even be the solitude of a writing retreat by the ocean or in the woods. 2020 does not care what my plans are. Instead, 2020 asks me the most challenging question I have faced as a writer: can you still do this when all the things that make you happy and give you a feeling of inspiration are out of reach? Can you still find the will within, the emotional energy, the mental space, and the desire of motivation to keep writing when none of the ways you usually do those things are possible?

Sitting here in this basement office with no windows, listening to Folklore for the fiftieth time, the truth is dear reader, that I am unsure. 2020 has left me uncertain of many things. But I know that I love writing enough to be willing to come here every day off I have remaining until I return to my day job next week and try. I will sit in this room, put my fingers on the keys, and I will do my best to create.

Because, as it turns out, I am a real writer. And the reason I am writing is because I can’t imagine not doing it, even under the repeated blows dealt by this terrible year.

News, news, news!

I feel like I have not updated here in a while, and I have so much news! First, the BAD news: Between the pandemic, my day job, and the general chaos of life in 2020 thus far, the release of Crushed., BOOK 3 in the SPOOKED. series, is being delayed to December 2020. I know this is disappointing to some of you, and believe me, I am disappointed, too. But the truth is, finding the time and space -- both in the literal and emotional sense -- to work on this book has been difficult. As fans, I hope you understand and will continue to support me despite this delay. I have been trying to figure out if I could still make my original release date of September 15, and as much as I want to, I have accepted that the book you will get is going to be of better quality if I delay this release. So that is what I am going to do.

Now, FOR THE GOOD NEWS! Due to the changing requirements of my job, which is fully remote, and the various and sundry impacts of having both myself and my husband working full-time remote for the foreseeable future, we have invested in some local office space here in Saint Helens! Yes, that's right, folks. I now have a special, separate, quiet space to focus on my writing and moving forward with the SPOOKED. series as well as several other books I am working on. I only started getting the office set up in the last 10-12 days, but we already have a tea kettle and internet, so you know we are making progress! That progress has resulted in me getting back to working hard on Crushed., and the simple of act of getting back to my characters is bringing me a singular joy. I am so excited to bring you all this third installment of the series, and I will be working as hard as I can between now and December to bring you this story.

MORE GOOD NEWS!: I am officially resurrecting this blog! Yes, I will occasionally post updates about writing and my process. If this is something that interests you, you can subscribe to the RSS feed on the blog, or just follow along here! Additionally, for those who have signed up for the SPOOKED. series mailing list (which you can do at the bottom of this page: http://www.spookedseries.com/contact-diana-rosengard), you will be getting updates specifically related to SPOOKED. books and giveaways sent directly to your inbox.

So that's my news for now! Again, thank you for understanding about the delay, and I look forward to bringing you more of Callie and Izzy's adventures soon. For now, keep watching this space for more info and ongoing updates!

The magic of the Olympics and representation

Every Olympics I fall in love with a few new athletes who just make me believe in magic with their amazing talent. Last Olympics, it was Katie Ledecky and the Final Five (Simone Biles, Gabby Douglas, Laurie Hernandez, Madison Kocian, and Aly Raisman). I have been following all of them since then because I believe they all have amazing futures and I can't wait to see what else they do.

This year, I am totally falling for with Adam Rippon, Chloe Kim, and Mirai Nagasu so far. Watching these athletes is so inspiring, and it's been fascinating to see some of the most talented U.S. athletes struggle with the duality of being forced to represent the U.S. while still being people of color, or from an immigrant family, or openly out and queer. These young adults are being attacked, subtly and even openly at times, by members of our own administration, just for being who they are.

Many of my friends don't pay a lot of attention to sports. There are a lot of 'sportsball' jokes in my circles. But I believe that the kind of work and sacrifice these people make to be truly great is admirable and that this moment may be the greatest time in their lives. They are all so proud to represent us. I think we owe it to them to be a people who are worth being proud to represent.

So -- read a little. Watch a little. Learn a little, even if sports aren't your thing. These athletes are representing us on the national stage at a time when they are sometimes, literally, under attack.  If that isn't bravery, I don't know what is.

Also if someone wants to collab on a YA book about young female snowboarding competitor, I would read, support, work on, buy, and promote the stuffing out of that book.

We were born in flames.

Some thoughts on the Stanford Victim's impact statement, violence against women, and the justice system

This is the Victim Impact Statement a young woman who was raped in Palo Alto gave at her rapist's sentencing hearing.  Her's was the rare trial conviction.  Her attacker was convicted of three separate counts of felony assault.  All 12 jurors found him guilty on all three counts.

He was sentenced to six months of jail time.

I encourage you to read her statement, because it is important and because it took incredible bravery on her part to write it, much less read it in open court.  Please know that it is very emotionally difficult and disturbing, as are all the news articles linked below.  

What follows are my feelings about this Victim Impact Statement and my feelings in general this morning about the way women are treated.  It also involves a film I once watched in a class over a decade ago that I still think about.  While none of this is directly related to writing or reading YA or NA, it does have to do with women and the lived experience of being a woman.  It has to do, in its way, with the response YA and NA authors get when they write books about powerful women standing up to abusers or to authorty.  And it is about art and how sometimes art can say things that are difficult to articulate in our own words, that sometimes when we want to scream we watch a book or see a play or are shown a film in a class in college that we don't quite understand, but years later, still think about as an instance where what we feel about the world is articulated.

. . . .

Every day, I wake up before my husband. And couple of times a week, he turns over and sleepily asks, "What's wrong?" because he finds me crying.  Several days a week one of the first things I do is cry.

Every day, I wake up and I read the news. At the top of every page, some fresh horror has been visited upon a woman. Someone has been assaulted. Someone has been killed. Someone opened their mouth and said something on the internet or in a newspaper, and now strangers are sharing her private information and sending her threats that she will be raped or killed. At a public rally, someone running for public office has been told she should be killed.

This case is just the latest in a round of victimization, of survivors who try to take back their power, and who fail to find any kind of justice for their efforts.  In case you have not followed this case, let me give you a quick summary.  It's a terrifyingly familiar story of:

1. an unconscious woman who
2. was being raped behind a dumpster and
3. was only saved from who knows what else because two bystanders intervened after realizing the horrific thing that was occurring.
4. These witnesses then chased down her assailant to make sure that he was captured.
5. Her assailant admitted to police in statements after the incident that he did not have consent
6. but then later recanted,
7. forcing his victim to over a year through the entire legal process, including the trial and sentencing.
8. After her assailant was convicted, 12-0, on three separate felony counts
9. he only received SIX MONTHS jail time.

That's it.

That's all.

Six months.

This young woman did literally everything we tell victims they have to. They must

  • allow themselves to be examined;
  • allow their identities to be publicly exposed;
  • allow their lives and their privacy to be shredded by law enforcement and the media and attorneys and spectators;
  • be forced to speak over and over again, often in public, about the most intimate details of things done to them, in front of their friends, their families, their communities;
  • put work, school, church, and every other commitment in their lives or every other opportunity for support behind their dedication to their pursuit of justice.

This woman did everything we say a person is supposed to if they want to make sure the person who hurts them is held accountable.

And for all that pain and suffering: the convicted felon who assaulted her got a six month sentence, which will be reduced for time served and good behavior.

I read about the horrors these women suffer.  And they come for you, no matter who you are.  You can be out for one fun night with your sister like the Stanford survive. Or you can be a famous rock star.  Or you can be the relatively new wife of a popular celebrity.  No matter who you are -- you are at fault. You provoked the attack. You should be ashamed. You should keep your mouth shut. If you're not, you have some sort of ulterior motive to bring your allegation to authorities or to a court of law. As if being subjected to all of the above wasn't a pretty strong disincentive before the public starts taking you apart.

I read about how these women tried to leverage the systems that we tell people who have been wronged to use, and how those systems fail them. We tell them that these are the avenues of justice in a civilized society, and that failing to avail yourself of them is a choice not to seek justice for what's been done to you. Then I read about what happens to those rare brave women who try, who open themselves up to additional abuse, scorn, judgement, hatred, and revictimization.

I read stories about technologies that protect and enable the abusers that victims try to report to them.  I read about judges who fail to properly understand what it means to have your life and your very being irrevocably changed by a terrible event.  I read about protective systems that provide no protection until the woman (and frequently her children) who needed them is dead.  

And when I tell people this, they ask me, “Why do you read the news? Just stop reading the news.” As though that is the problem.  As though the news, or my reading of it, is to blame. As though, if I simply refuse to acknowledge what happens every day to women, it will somehow go aware.

I didn't always know why my Gender in Fairytales and Film professor, the late Dorothy Berkson, showed my class Born in Flames. But every day I wake up, and I read another story, and I wish I could tell her that I get it now, and that I understand what might drive women to a place where violence seemed like the only language the patriarchy will ever understand. I don’t ever want that to be the answer. I don’t think it is the answer. 

But, looking at the world and how it treats my sisters in humanity, I understand the impulse.

My book trailer is out!

So I guess there's no going back now. The official book trailer for SPOOKED. is out. 

Moment of reckoning...

To say that I am excited about the trailer is an understatement. Seeing it released, and telling you about it, makes the book's release seem a little more real.  When I am not grinning like an idiot about it, I am sitting in a corner with my head between my knees, trying not to hyperventilate. 

I want you, dear reader, to know that I am really pleased with the trailer.  Look at it! It's beautiful! AND I feel like it is an accurate representation of both the story, spirit, and the mood of SPOOKED., which is all I could have asked for.  

Give it a watch.  I hope you enjoy it, and I hope you are looking forward to September as much as I am!

Finding time to write is hard.

Like a lot of authors, I have a day job, and it's a full-time+ gig.  So making time to write is challenging even on the best days.  Yes, I have a lot of privileges that help support my writing.  I get to work in an office rather than at a physically strenuous job.  I have no children yet, and I am not currently caring for an aging or differently-abled family member. My cats -- while demanding at times -- are better about supporting my writing than they might be.  I have a lovely partner, El Hubs, who tolerates me spending huge chunks of time that we could be spending together that I instead spend staring at a blank page and hating myself.  

I'm also lucky that, despite my student loans, I can make enough money from my one job that I don't have to work a second one like so many people. I get to effectively make writing my second job; its more than a hobby and I treat it as more than that.  It's rightly described as a burgeoning secondary career, one that takes up a lot of me.

Which is why, when I tell you that it is hard to find time to write, let alone the energy to write, I am saying that with the full knowledge that it is so much harder for a lot of the writers out there that I love, people juggling jobs AND kids AND aging parents AND AND AND... Those people are basically superheroes, and will forever have my love and support. 

But that is also why I am taking this time--when I should be putting away my laundry or feeding my cats or getting things ready for work tomorrow or, heaven forbid, working on my current book draft--to tell you that this is hard is because no matter how many times someone says it to me, I always need to hear it again. Finding the time, the energy, the emotional space to think and write is a difficult thing in a world that is always pulling at you.  The phone is ringing, the email is piling up, there is someone yelling from the other room that the cat is having a hairball on the carpeting... Something else is always there, wanting a piece of you.

So how do you find that time/space/energy to write? Well, I am no expert, but after a few years of this, here are my recommendations for you:

1. Write, if you can, in the mornings.

8am

 Yes, it means getting up earlier, but it also means that you can avoid a lot of the routine interruptions that break up the hours during the business day or evening while using your best energy for your work, not someone else's. While I groan about it, I also feel better during my day if I know I took the time to do something important to me before I did a lot of other things I didn't want to do nearly as much.  It also keeps me from trying to write during my most exhausted hours, when I find it the hardest to concentrate and focus.

2. Stay off the internet. I am terrible at this. "Five minutes," I tell myself. "It's for research! For this book!," I tell myself.

webmdcancer

It is NEVER five minutes. It is NEVER for the book. Do whatever you have to -- write in a place with no internet, install an internet blocking program like Freedom, train a pet monkey to slap you if it sees you on the web, whatever it takes. But stay off the internet.  It's a productivity killer to beat no other.

3. Set reasonable goals. Nothing will make you feel worse than trying to set a goal for yourself and then feeling like you've failed. I'm not saying, "don't set goals." I'm saying "set achievable goals.” Setting yourself up for failure has got to be one of the biggest pitfalls you can create for yourself.

I do this all the time. I tell myself grandiose things like "this year I will write 10,000 words every week! Every week, without fail."  Or even more ridiculous things, such as "I won NaNoWriMo; I can obviously keep writing 50k a month every month!"  Then, when I obviously cannot do that on top of everything else, and weeks go by, and I am barely able to keep up with my day job and clean underwear much less anything else, and I do not write a single solitary word, this is all I hear in my head:

youfailed

DO NOT DO THIS TO YOURSELF.  Every word you write, every single one, is a success. It is one more word in one more story that no one else has ever told before and cannot be told exactly like you will tell it. It is one more something out of nothing. You are Bastion in The NeverEnding Story. With one word, you could save the world. So do what is in your heart -- give the character at the center of your story a name, and stop The Nothing from taking one more minute from the lives your characters will live through you.

You can write one word. I know it. And in my experience, one word often becomes one sentence, or one paragraph, or one page.  Sometimes writing that first word is all you need to start yourself writing.

Or maybe not. Maybe it's only one word. But that's okay. If you can only get one word on the page, make it a good one.  Or even a sucky one. Either way, write one.  Because that is one more word than you had yesterday.  And with enough of those, you will eventually have a completed work made entirely out of the crazy stuff in your brain. 

4. Do not compare yourself to other people.  

One of the writers I admire most in all of the current writing landscape is Victoria/V.E. Schwab. She has the most insane work ethic of anyone I know. Anyone. In any field. More than any workaholic lawyer I know, more than the CEO at my company, more than my insane overworked El Hubs, more than anyone. We're talking Steve Jobs levels of work ethic. As a result, she has not one but several books in totally different genres and series coming out each year. Basically her life -- from my perspective -- is so full of work that she must be like the Dowager Countess:

And she doesn't even have the decency to write crappy books, either. They're all amazing. Crazy amazing. So when I look at her, with her travel and her organized life and getting a Masters degree in Scotland while writing NYT Bestsellers, I don't get jealous. She's too nice and humble and so out-of-this-world awesome for me to be jealous. 

Instead I think, "You will never be her, so like, don't even bother." And you know what that makes me? MY OWN WORSE ENEMY. Victoria is awesome, but her awesome doesn't make my awesome less...awesome. (That there is some powerful writing. See how good I am at this?) 

You can't be other people. You can only be you. And you are always, every day, being the best you that you can manage at any given moment. So accept that, and love yourself for it. Don't compare yourself to other people. Focus on yourself and the work because in the end, none of that comparing will get you anything but sadness and pain. Also, it will absolutely not get you a finished book.

5. Just try. So my most important piece of advice--no matter what else you take away from this post--is this, and I cannot emphasize it enough:

justry

Everything you do in life is a risk, and anything that takes as much heart and soul and spirit as writing something and then letting other people read and judge it is super scary.  There is no way around it. It feels like giving up a part of yourself to a world that, let's face it, can be really mean and cold and indifferent to its impact on you. But letting fear limit your life is about the saddest thing you can do.  Don't worry about whether you will publish or whether your work will sell or even whether anyone will ever read your work other than you, out loud, to your dog. You can decide all that later.  For now...WRITE.

Now if you'll excuse me, I have a draft waiting for my one word for today.

The Difficulty of Doubt

As I move toward publication, the biggest difficulty is the doubt.  I spend a lot of time second guessing the choices I've made, worrying that my work won't be engaging, or that I simply won't break through and absolutely no one will read my books.

NobodyCares!

No one.

Not even my cats.

Which is ridiculous, of course. At minimum, I can always read the books to my cats.

In a moment of despair, I told my friend Marni that I would be happy if I managed to sell even 20 copies of Spooked.

"Really?," she asked.

"Twenty!," I insisted.

So Marni made me do the one thing that she feels will ensure we laugh about all this later: she made me write it down. 

Yep. There it is. "Sell 20 copies."  But once I wrote it down, it looked so pathetic, I decided to set a few further goals, sort of like gates. Pass through a gate, prove to myself that even my lowest expectations were achievable. Pass through them all?

Prove that there's a difference between setting reasonable expectations, and giving in to the terrible, hateful, doubt-filled voice in your head that is always trying to make sure you fail.

 

SPOOKED. cover reveal!

A truly wondrous and amazing thing. My first novel is moving along on it's journey toward publication.  And on that journey we have just taken a monumental step. 

SPOOKED., my debut New Adult novel, has....

A COVER.

Cue the freak out....

Cue the freak out....

Yes, my dears, the moment has finally arrived.  This book, SPOOKED., which I have been working on for almost five years, has taken a huge step closer to publication.  

It has a cover.

SPOOKED. by Diana Rosengard

Look at it! Doesn't it make you want to cry!?! (Okay, probably not, because you haven't read it yet, much less lived with this story for years.) I do.  I look at it and I see a tiny dream, a dream held so secret and deep within me it took me much of my adult life to realize I even had it, taking a huge step closer to coming true.

*fawns over cover some more*

Yes, it has a cover.  And with that cover comes something just as important: a release time line.

SPOOKED. will be out in just a few months, ya'll! MONTHS! 

Even as I type the words, I don't truly believe it.

For everyone who reads my various blogs and article, thank you for being on this journey with me.  And if you're sitting there right now, thinking, "wow, I did not even know she had a book," I invite you to check out SPOOKED. at spookedseries.com for additional information on the series and the world of SPOOKED.

Now if you'll excuse me, I am so excited I think I need to have a bit of a lay down.

Until we meet again, dear reader, thanks for being here.

 

Everyone likes it better when you just shut up.

On fear of being a woman in the virtual public sphere

As I sit here writing this to you, dear reader, I have a confession: there are reasons I have not written in a while. Even as I sit down to write you this, I have cracked open my very last bottle of beer I carried back from Kigali just to find the will to say what I am about to say.

It has gotten really scary to be a woman on the internet lately.

This is not new. Frankly, it's always been a little scary being a woman doing anything in the public sphere that people disagree with. I've worked on political campaigns, I've done public speaking engagements around issues like abortion, I've even written things on this and other blogs that have brought threats and harassment to my virtual door. I play online games; I attend gaming events like Quakecon and Blizzcon, and gaming isn't always the most female friendliest of hobbies. I've worked to prosecute domestic violence offenders and stalkers, many of whom by virtue of my work knew my full name as well as my work location and hours. And I've been personally stalked and harassed by a former partner.  So I get what it's like to have the inescapable dragnet that is modern technology used against me, to get me, to make me feel sad ans scared and miserable, even from thousands of miles away.

But in doing all my various work and activism over the last decade or so, being a vocal woman in the virtual public sphere has never felt as...fraught as it does now. I don't know how else to explain it. And I am not someone who is easily scared or who tends to shut up because people want me to. (Let's be honest; if you know me, you know I'm more likely to yell louder if someone tries to take my voice away.)

So when I tell you there's this undercurrent that I keep bumping up against, even in my generally carefully manicured and limited interactions with the web, I hope you will hear me, and not dismiss it. There is a relatively new (past couple of years, I think) and more virulent strain of hatred toward women on the internet, something I didn't always feel and now think about every time I tweet or post on Facebook.  It is real. It is palpable. And it is working as a silent and insidious form of censorship in all sorts of ways.

There are a lot of contexts in which I could talk about this. I could talk about #GamerGate, and my experiences as a gamer from my early teenage years, and the various women who have been attacked in response to #GamerGate, to the point that frankly I have been afraid to write about it at all. I could talk about what it's like to work a tech company and make my living working on the web as a woman, and the daily wear and tear of that even in a progressive, wonderfully decent and well-intentioned company like mine. But what I actually want to talk to you about is something that happened recently to a Young Adult author, Stacey Jay.

A lot of people have been writing about Stacey Jay's Kickstarter campaign and the backlash against it. Stacey wrote about it on her blog. My friend, Marni, who knows Stacey, wrote a pretty good critique of all this on her blog as well. Additionally, if you want to read a rather impassioned piece, you can check out The World in A Satin Bag's response which - profanity aside - sums up my feelings about this pretty thoroughly and also shows some of the critique tweets about the Kickstarter.

The TL;DR is that Stacey got dropped from her publisher due to weak sales, but had fans who really wanted a sequel her recently released (e.g. a few weeks ago) novel, Princess of Thorns. She decided to set up a Kickstarter to fund writing the book and get it into the hands of the fans who wanted it. I will note here that Stacey writes a lot, and has a number of published books under her belt, mostly with female protagonists, many of whom are strong and smart and kicking butt all over the place. 

But back to the Kickstarter: In exchange for things like getting a digital copy or hardcopy of the follow-up book to Princess of Thorns and some of the other usual perks that come with a Kickstarter, Stacey asked for enough money to support her for about 90 days while she wrote the book. To justify the amount she was kickstarting for – the princely sum of $10,500; $3000 going to cover editing and artwork and the rest for living expenses – Stacey demonstrated her need for her income to what I feel was an astonishingly high degree. FN2. She talked about how much it would help her support her family, how it would compensate for the time she might be writing other projects that would generate income, how she had calculated the amount, and how it was reasonable given her familial and financial responsibilities for things like gas, her mortgage, and heat during winter. Extravagant, I know.

$7,500 for three months of work. That's not a lot of money, particularly when you are talking about a proven author who has been published several times and has a record of being able to produce a real product. She was going to create something she knew there was a market for, and all she asked was to be compensated in return.

Now there are people out there who have criticized Stacey for using Kickstarter when they feel she should have used Indiegogo or GoFundMe. And there are those who think her price was too high. All of these people had the right to simply choose not to fund her. But today we live on the internet, and that's never where things stop when people get angry anymore.

Instead, people have harassed Stacey to the point that she has completely exited social media and says she will not be publishing more books under the name Stacey Jay. They talked about how much she was asking for, criticized her for asking to be compensated at all, and even went so far as to discuss the costs of living and median mortgage rates in her zip code. From her blog post, in which she explains why she took down the Kickstarter and then went on to apologize for ever posting it, it seems clear that she has received some rather harsh and personally scary responses as a result of all this. All because she was a person on the internet with a product she knew had a market and she had the audacity to ask people to pay for said product, which largely consists of the time and effort it takes to create something out of nothing, an entire world out of the weird and scary meanderings of a human brain.

As a writer who aspires to get my books out into the world, this really upsets me. While I have a good job, I dream of being able to write full time. It's not inconceivable to me that, if one of my series got dropped, I'd want to finish it and be able to give it to the people who loved it. And as a reader, I know how upset I am when I end up never getting to the end of a story I enjoy. I personally really like Stacey's books. Princess of Thorns is on my “to purchase” list. As someone who enjoys her storytelling, I want her to be able to finish that story.

But beyond that upsetness I feel as a reader and writer, I find myself feeling afraid of the internet as a tool for promotion and social interaction. Whether you're talking about Zoe Quinn making and reviewing games and then, after an ex-boyfriend turned the trolls of the gaming community against her, having to flee her home in fear, or you're talking about Soraya Chemaly's article on “The Digital Safety Gap and the Online Harassment of Women," the internet is a scary place for women, and the threats feel like they're increasing on all sides. (If you want to read a truly terrifying read, check out Amanda Hess' ”Why Women Aren’t Welcome on the Internet.”

And here's the thing – women are treated differently, both online and in the real world. And we have a reason, when someone threatens us online, to fear that might become a reality. And whether you are Zoe Quinn, or Stacey Jay, or even a barely read no one like me, you never know when the thing you want to do in the virtual space might suddenly catapult you into the web'o'sphere and gather a lot of attention, for good or ill.

Fear of women in the public sphere is not new, particularly when women choose to speak and act as though their voices matter. It's a historical and global challenge that continues for women everywhere, everyday. To walk down the street without being verbally harassed. To have equal access to physical space on the subway. To speak without being threatened. To control their own money, their education, their own lives, their own bodies.  The message women get is clear and consistent: everyone likes it better when you just shut up.

And though I am sure there will be readers among you that see my ties between #GamerGate harassers and Stacey's Kickstarter kerfluffle as tenuous, or will assert that this isn't a gendered issue, I will simply point out to you that 1. some idiot got kickstarted for five times what Stacey asked for to make potato salad, and no one threatened him; and 2. no matter what reason people show up in your inbox, direct message on twitter, or other social media to threaten or shame or harass you, it all feels the same -- awful. And the through-line in the worst of cases seems to be uniformly that the worst of the internet's hatred and vitriol is saved for female-identified persons, and that the response will be even worse for you if you are (a) trying to create something of your own or (b) critiquing something a man made.

In a world where death threats and doxing have become normalized, where one site's trolls can turn your life to terrifying shambles, it's hard to want to write or blog or tweet or really interact with people. I spent most of the last few weeks of 2014 just hiding and considering how much, if any, I wanted to be part of social media. But I refuse to be scared off. And I refuse to shut up.

So here I am, writing about the very things that might invite trouble into my life and my home. Because at the end of the day, I refuse to be silenced by fear.

And hey - if you like Young Adult novels, Stacey Jay has quite a few good ones. You should check them out.  I personally recommend Juliet Immortal. If you need me, I'll be out buying some of her books, including Princess of Thorns, and showing the world that we could use more people like her, and that no one deserves to be forced out of the public sphere

_________________

FN1. It's a Virunga Mist for any of you with knowledge of Rwanda. My last full day there, I was challenged to drink one of every type of local beer so I could determine what my favorite was to bring home. Virunga Mist was the winner by a significant margin.

FN2. Seriously, it was one of those moments that reminds me of that moment in 1952 when President Nixon and his wife went on television to disclose a lot of information about their financial situation in an effort to beat back some accusations about campaign finance stuff during his VP run with President Eisenhower. This is historically known as the “Checkers” speech, the name of Nixon's dog, who sat with him and his wife through this very personal and, probably somewhat humiliating, speech. PBS has a transcript posted if you want to read it.